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Tick, Tick... Boom! (also stylized as tick, tick... BOOM!) is a 2021 American biographical musical comedy drama film directed by Lin-Manuel Miranda in his feature directorial debut. Written by Steven Levenson, who also serves as an executive producer, it is based on the stage musical of the same name by Jonathan Larson, a semi-autobiographical story about Larson writing a musical to enter into the theater industry. The film stars Andrew Garfield as Larson, alongside Robin de Jesús, Alexandra Shipp, Joshua Henry, Judith Light, and Vanessa Hudgens.
In early 1990, Jonathan juggles work at the Moondance Diner in SoHo with preparing for a workshop of his musical and passion project Superbia. He feels pressure to be successful before he turns 30: with his birthday just over a week away, he sees the workshop as his last chance. He has a party at home with friends, including his former roommate Michael, his girlfriend Susan, and fellow waiters Freddy and Carolyn. Susan tells Jonathan about a teaching job at Jacob's Pillow and asks him to come. Michael, who previously left theater for a lucrative advertising career, sees Susan's offer as an opportunity for Jonathan to consider a serious future, and invites Jonathan to join an advertising focus group at his company. Jonathan's producer Ira asks him to write a new song for Superbia because the story needs it. This troubles him, as his idol Stephen Sondheim told him the same at a composing workshop some years ago, but he can't come up with anything and he only has a week.
Discouraged, Jonathan begs Michael for a corporate job, but Michael, having changed his mind after seeing the workshop, urges Jonathan to continue in musical theater, revealing he is HIV-positive. Realizing that his career obsession has cost him Susan and harmed his friendship with Michael, Jonathan wanders through New York before finding himself at the Delacorte Theater. He finds a piano and reflects on his friendship with Michael and the sacrifices he must make for his career. He and Michael reconcile. On the morning of Jonathan's 30th birthday, Sondheim calls, congratulating him and wanting to talk more about Superbia, lifting his spirits. Holding his birthday party at the Moondance Diner, he is relieved to hear Freddy is to be discharged from the hospital. Susan gifts him blank sheet music paper to help in his career and they part on amicable terms. She narrates that his next project was Tick, Tick... Boom!, before he returned to working on a previous project, which became Rent. She reveals he died of a sudden aortic dissection the night before Rent began previews Off-Broadway. He never experienced the success he desired, but his work lives on. In 1992, Jonathan performs the final song from Tick, Tick... Boom! as he optimistically looks to the future.
The musical theater workshop scene includes cameos by various established theater composers and lyricists as \"aspiring composers and lyricists\", including Alex Lacamoire, Amanda Green, Chad Beguelin, Jaime Lozano, Dave Malloy, Eisa Davis, Georgia Stitt, Grace McLean, Helen Park, Jason Robert Brown, Jeanine Tesori, Joe Iconis, Marc Shaiman, Matthew Sklar, Nick Blaemire, Quiara Alegría Hudes, Shaina Taub, Stephen Schwartz, Stephen Trask, screenwriter Steven Levenson, and Tom Kitt.[8] Blaemire previously portrayed Jonathan Larson in the 2016 Off-Broadway revival of Tick, Tick... Boom!.[8] Green, Beguelin, Malloy, Iconis, Sklar, and Taub are all previous recipients of the Jonathan Larson Grant for aspiring composers.[10]
Several members of Miranda's hip-hop improv group Freestyle Love Supreme have roles throughout the film: besides Aneesa Folds and Utkarsh Ambudkar, Shockwave and Andrew \"JellyDonut\" Bancroft appear in \"No More\", and Christopher Jackson appears as a patron at the New York Theatre Workshop performance of Tick, Tick... Boom!.[11][8] Miranda's father Luis A. Miranda Jr. cameos as a building concierge in \"No More.\"[8] Additionally, Janet Dacal, Kenita Miller, Eddy Lee and Jared Loftin appear as performers in the Superbia workshop. Although Whitford portrays Sondheim onscreen, Sondheim voices himself when he leaves a message on Jonathan's voicemail, as he does in the original musical.[8] Miranda's wife Vanessa Nadal voices \"Deborah\", Susan's friend who calls Jonathan towards the beginning of the film about equipment for Susan's dance show.[12] Anna Louizos, who designed the set for the 2001 Off-Broadway run of Tick, Tick... Boom!, and her wife Robyn Goodman, who co-produced the run and was friends with the real Larson, play Michelle and Gay respectively, Jonathan's neighbors who attend his party.[12][7] Among the audience members in the final scene are Scott Schwartz, the director of the 2001 Off-Broadway production of Tick, Tick... Boom!, and Julie Larson, Larson's sister.[8]
The film was announced in July 2018 with the news that Miranda would make his directorial debut with the musical adaptation, with Imagine Entertainment and Julie Oh producing and Dear Evan Hansen's Steven Levenson penning the script.[18] Miranda, Levenson, and Oh treated the process like creating a musical, including holding a secret workshop at the United Palace in Washington Heights on July 16, 2018. It was during this stage that Andrew Garfield joined the process, having finished his run in the Broadway revival of Angels in America the day before. The team set a production start date of March 2020, in order to give Miranda and Levenson time to conduct research, and for Garfield to take formal vocal and piano training.[17][19]
In order to adapt the musical for film, Miranda and Levenson conducted a significant amount of their own research. This included interviews with friends, family and colleagues such as Charleston, Roger Bart, Matt O'Grady (whom Michael is based on), and Ira Weitzman, the latter of whom became a character in the film as a direct result of these conversations.[5][22] Larson's sister Julie, who was a producer on the film, discouraged Miranda and Levenson from sanitizing Larson's image, telling them to \"get all the warts. Get all of that good stuff.\" Bart recalled that Larson had a tendency to lash out when his work was not being received the way he wanted, but he was generous to his collaborators once in the rehearsal room. This insight heavily influenced Larson's portrayal in the finished film.[23]
Miranda and Levenson also accessed the Jonathan Larson Papers at the Library of Congress, in which the original scripts and demo tapes for Superbia, 30/90, Boho Days, and Tick, Tick... Boom! exist.[24] Scenes from these scripts were used to create new scenes for the film: for example, a section where Larson recalled receiving feedback from a man named \"Robert Rimer\" at a musical theater workshop was adapted for the film, with \"Rimer\" replaced by the man's real name, Stephen Sondheim. In one early draft, Larson wrote that Susan's green dress was a commission made by a fashion designer/fellow waiter at the Moondance Diner named Carolyn: this led to the creation of the character Carolyn, played by Michaela Jaé Rodriguez, for the film.[25]
The singing in the finished film is a mix of actors lip-syncing to pre-recorded tracks, re-recording their vocals in post-production, and singing live on set, with the choice to use one or the others dependent on the environment and tone of the scene. In the case of \"Why\", Garfield felt the emotions in the pre-recorded playback track were insufficient, and so sang the song live during filming at the Delacorte Theater in March.[45] This flexibility had to be limited after production resumed under COVID protocols, with the team limiting live singing to only certain moments. Miranda recalled one incident where Garfield spontaneously sang live on an impulse during one of the first days of shooting under the new protocols, leading Miranda to be scolded by the film's COVID Compliance Monitor.[45] \"Boho Days\" was one of the few musical numbers filmed with live singing during this period: all of the actors in the scene had to quarantine for 14 days in order to film it.[45]
In directing the film's musical sequences, Miranda borrowed heavily from his experience working with Jon M. Chu on the film adaptation of his musical In the Heights, namely balancing out a realistic approach versus allowing the musical sequences to exist in Jonathan's head.[45] Cinematographer Alice Brooks highlighted \"Sunday\" and \"Swimming\" as two particularly challenging sequences, as the two exist in Larson's head more so than other songs in the film. The scenes were conceptualized between Miranda, Brooks, Levenson, the assistant director, the storyboard artist, and the production designer in a collaborative process akin to theater, based on making discoveries at each step. For \"Swimming\", Miranda came up with the idea for the \"30\" at the bottom of the swimming pool to turn into a treble clef, and thus the pool floor becoming sheet music, during a scouting visit to the pool with Brooks.[42] The pool, which is located at the Tony Dapolito Recreation Center in the West Village, was chosen due to its resemblance to that described in the lyrics of \"Swimming\": it was only during filming that the designers and creative team learned this was the actual swimming pool Larson frequented.[52] Although David Armstrong is credited as Andrew Garfield's swimming double, Garfield performed all of the swimming in the film himself: his father Richard Garfield is the head coach of the Guildford City Swimming Club and had trained him in the past. Miranda recalled that Armstrong turned to him after watching Garfield's swimming and declared, \"I can't swim that fast.\" The elder Garfield was originally supposed to cameo as the man whom Jonathan tries to overtake in the pool, but he was unable to come to New York for the shoot due to the film's COVID delays.[12][29] 153554b96e
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